In such instances, please note, there was no way for me to know it was copyrighted material if you did not mark it so. If you are the owner of that photograph and have a problem with me using it, notify me of the copyright and I will remove it at once. If I find a photograph on the Internet, that I want to repost and it has no attribution of copyright on it, I use it in good faith as an image in the public domain. Furthermore, unless specifically stated, the photographs on this site may have been taken by others and belong to others however, I do not knowingly use copyrighted materials without the owner's permission. Your use of my blog, in any manner, is your consent to hold me harmless and indemnify me and other sources mentioned herein, from any claim(s) against me, or those other sources, said claim(s) arising directly or indirectly from your use of this blog or any content therein or linked to it, or arising from your passing on of information from this blog to any party and their use or passing on of it ad infinitum. With some forethought, a collaborative memoir can be a compelling read, one that tells a deeper and, perhaps, more complete story.Use of any information or advice that I supply or to which I link is done at your own risk. The questions specific to your project will likely be different than these ones, but I offer them up in the hopes that they give you direction or trigger even more targeted questions: If your accounts compete in some way, how will you use that to create interest and deepen the reader’s understanding of the situation? If the perspectives work toward the same aim, how will you organize the work so that the two perspectives build on one another? Will the two perspectives tell the same story at the same time? Or will they start out as two seemingly different narratives that, at some point, converge? Having that focus can help direct your writing process. Should you decide the collaborative approach is a good one for the project, consider how this will play out. These three different perspectives illustrate the group experience, something unique to the “Lost Boys of the Sudan,” and at the same time show the markedly different individual experiences. Ajak, Deng and Deng are part of a group of nearly 4,000 Sudanese (dubbed the “Lost Boys of Sudan” by Western media) who fled their homes as children, survived the harrowing journey to refugee camps, and were later brought to the United States. Here’s just one example: They Poured Fire on Us From the Sky is a memoir by Benjamin Ajak, Benson Deng and Alephonsion Deng that documents their experience as children during war in Sudan and their arrival in the United States as young men. There are many ways a collaborative effort could work well in a memoir. However, despite the seemingly ineffable qualities of style, great. One's style is also an intensely personal thing - the inner voice made manifest on the page or screen. It can reveal much regarding their educational attainment, social class, reading habits, and patterns of thought. Will each of your perspectives offer something unique? Will the different perspectives inform one another? If so, then collaboration can be a good idea. A person's writing style reflects a great deal about them. Before you go forward, though, consider how the dual perspectives will function in the memoir. I'd like to write a memoir with my sister, but I've never seen a book like this with two authors.
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